Krippendorff, Klauss. The Semantic Turn: A New Foundation for Design. Taylor & Francis, 2006.
- Krippendorff, Klaus. Meaning in an ecology of artifacts. Media Lab Helsinki. mlab.taik.fi/~fsen/PDF/CH6.pdf.
- Krippendorff, Klaus. “On the Essential Contexts of Artifacts or on the Proposition That ‘Design Is Making Sense (Of Things)".” Design Issues, vol. 5, no. 2, 1989, pp. 9–39. JSTOR, JSTOR, www.jstor.org/stable/1511512.
The ‘turn’ in the title of this work, refers to the change in direction that design has been taking for the past decades, towards being human-centered. In making his thesis, Krippendorff assesses the history of various aspects of design. He makes the case that designers need to start telling their own story, using their own vocabulary to gain a discourse of their own.
The word Semantic in the title refers to the human act of constructing meanings for artifacts. For Krippendorff, the interesting aspect of human-centered design is how humans make sense of their artifacts. His central axiom is: “Humans do not see and act on the physical qualities of things, but on what they mean”
In discussing designers’ level of sensitivity to what artifacts mean to others, he writes:
Designers’ extraordinary sensitivity to what artifacts mean to others, users, bystanders, critics, if not for whole cultures, has always been an important but rarely explicitly acknowledged competence. … Without realizing its strength, designers are doomed to chase the ghosts of other discourses. (p. 50)
Krippendorff’s in-depth discussion about artifacts and their meaning, impacts my thinking on how digital discovery may impact role of artifacts in shaping Holocaust remembrance -
Krippendorff sets context with history, presents a thesis (the centrality of the making of meaning of artifacts), and works it out at four levels:
- Use: meaning of artifacts in use
- Talk: meaning of artifacts in language
- Lifecycle: meaning in the lives of artifacts
- Coherence: meaning in an ecology of artifacts
p. 42 Definition of Artifact:
Equating truth with what has been done or could be made is also rooted in the etymology of the word fact, from the Latin factum something done. "Artifacts" are facts that are created with craftsmanship or special talent. Their truths lay in their workings, not in what they are... Vico would have liked this extension toward holding people accountable for the facts they make, conceptualize, arrange, manage, or destroy.
His views and the in-depth examples that he gives, opens the door to considering the shaping of 21st century educational discourse – particularly around the impact of artifacts in a digital age. In the context of my research, as physical artifacts relating to the Holocaust are being digitized and put up to the Internet, alongside an ever-increasing deluge of new Holocaust data repositories, matters of provenance and authenticity become ever-more acute. Big data tools coupled with new media –ever mutating enabling technologies, open up present and future generations’ ability to collect stories and all of the objects that go along with those stories, to help tell the story of the Holocaust to future generations – in new ways. How enabling technologies help establish frameworks that facilitate collective participation and cumulative outcomes, will affect the role of artifacts on Holocaust remembrance into the future.
In examining the evolution of artifacts, Krippendorff notes:
Page 198. In an ecology of artifacts, the meanings of an artifact consist of its possible interactions with other artifacts, both, with its own kind, but more importantly, with artifacts of other species. Ecological meanings, where recognized by individual stakeholders, guide artifacts to their energy sources, set them in motion, bring them into interaction with various other artifacts, and have global ecological consequences. An ecology of artifacts is the net effect of…what very many stakeholders do locally. Any ecology recognizes three kinds of interactions: cooperative, competitive, and independent.
Krippendorff then goes on to examine the role of MYTHOLOGY…
… We need to be reminded that ecologies of artifacts result from human participation in those ecologies… an ecology of artifacts is not closed. It is constantly attended to by design… What holds an ecology of artifacts together, what makes it grow beyond the ecological meanings of participating artifacts and their stakeholders is mythology.